Roslyn Sulcas on Muck Rack

Roslyn Sulcas

Verified
New York
As seen in: The New York Times, O Globo, The New York Times en Español, UOL, Estadão, MSN UK, The Independent (UK), Aol, Clarín (Argentina), Chicago Tribune, Infobae and
dance and other cultural matters, New York Times
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Articles

This Opera Written for Louis XIV Feels Ripped From the Headlines

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By Roslyn Sulcas Verified
| Breaking One
PARIS -- Puffy clouds float serenely across a blue sky on a screen at the front of the huge stage at the Opéra Bastille in Paris. When it rises, we see the flashy boudoir of a large-bellied man, singing of his desire for a young woman. Footmen -- Karl Lagerfeld look-alikes with white-haired ponytails and dark glasses -- serve him hamburgers from silver domes. A glamorous woman appears and tells him she understands perfectly; why shouldn't he have what he wants?
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This Opera Written for Louis XIV Feels Ripped From the Headlines

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By Roslyn Sulcas Verified
| The New York Times Verified
This Opera Written for Louis XIV Feels Ripped From the Headlines The Paris Opera production of “Ercole Amante” (“Hercules in Love”), a rediscovered 1707 work by the female composer Antonia Bembo, leans into contemporary themes of coercion and consent.
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Review: Taking an Expressionist Class With the Royal Ballet

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By Roslyn Sulcas Verified
| Breaking One
LONDON -- The Royal Ballet, unlike some of its peers (hello, Paris Opera Ballet), isn't known for extensive forays into contemporary European dance. But on Thursday night, a double bill that included the commission of a new work, "Salle de Danse," by Paul Lightfoot and Sol León -- well-known names on what the English still like to call "the continent" -- opened at the Royal Opera House to a buzzy crowd. Lightfoot and León occupy an interesting corner of the dance landscape.
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