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Sam Inglis on Muck Rack

Sam Inglis

England
As seen in: Letterboxd, Salon, NewsBreak, The London Economic, Sound on Sound, HeyUGuys, Vigour Times
Semi-Pro movie nerd. Novice gamer. Jennifer Jason Leigh superfan. DVD/Blu Ray/4K Collector. Co-Host of Fearless Pretender. Band Maid/JRock fan.
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Articles

LEADER: Location Location Location

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By Sam Inglis
| Sound on Sound
Some of the most fun recording sessions I’ve been involved with have happened outside the studio. However, recording on location isn’t only fun. It’s also a great learning experience for everyone involved. Every guerrilla recording session I’ve done has taught me something of lasting value. Most of all, location recording brings home to me how much effect the immediate environment has on what gets recorded. I’m not just talking about acoustics here, although that’s undoubtedly important.
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Harrison Flex 10

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By Sam Inglis
| Sound on Sound
With the Flex 10, Harrison’s designers have delivered features not usually found in a desktop interface, including transformer saturation and real VU meters. Music tech can be novel and exciting, but it can also be utilitarian. Audio interfaces usually fall under the latter umbrella, and that’s fine. We don’t want our audio interface to spring surprises or fuel creativity. We want it to funnel sound to and from our computer, with a minimum of fuss.
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LEADER: Go Slower

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By Sam Inglis
| Sound on Sound
New music tech products often aim to democratise music‑making. They remove barriers to entry and smooth the path from idea to finished track. And sometimes the benefits are uncontroversial. Orchestral sample libraries, for example, open doors on a world that was once inaccessible. But there’s a fine line between democratisation and dumbing down. When quicker and easier take priority over better, we sell ourselves short. When skills that were once essential become optional, mediocrity ensues.
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