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Tim Dams on Muck Rack

Tim Dams

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London, United Kingdom
As seen in: Screen Daily, IMDb, Yahoo Entertainment, Yahoo Canada, Yahoo News Malaysia, Yahoo Singapore, Aol, Fox News, New York Post, News.com.au, Variety and
Covers:  Television, film, advertising, streaming, digital, technology, virtual reality, environment, sustainability
European Editor, Screen International tim.dams@screendaily.com

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Tim Dams’s Journalist Portfolio

Satisfying the demand for studio space

Satisfying the demand for studio space

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Articles

Rotterdam’s Hubert Bals Fund backs 20 projects with development funding

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By Tim Dams Verified
| Screen Daily Verified
Source: IFFR Hubert Bals Fund ‘As Long as You Can Climb a Tree’ International Film Festival Rotterdam’s Hubert Bals Fund (HBF) is to back 20 projects with a €10,000 grant each under its Development Support Scheme 2026.
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PiperPlay boards Tommaso Landucci’s Venice Horizons premiere ‘Children Of The Monkey’

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By Tim Dams Verified
| Screen Daily Verified
Source: PiperPlay ‘Children Of The Monkey’ EXCLUSIVE: Italy’s PiperPlay has taken on international sales for Tommaso Landucci’s debut feature Children Of The Monkey, which is set to premiere in Venice’s Horizons competition. The screenplay for Children Of The Monkey, which Landucci co-wrote with Damiano Femfert, previously won the Franco Solinas Award in 2021 and the Jerusalem Sam Spiegel Film Lab Grand Prize in 2023. It was also selected for MIA’s Co-Production Market & Pitching Forum.
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San Sebastian film festival adds seven to competition lineup including Mike Leigh, Nicole Garcia, Pablo Larraín titles

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By Tim Dams Verified
| Screen Daily Verified
Source: San Sebastian Film Festival ‘Tender Loving Care’ San Sebastian International Film Festival (September 18-26) has unveiled another seven titles selected for its main competition, including Mike Leigh’s Tender Loving Care, Nicole Garcia’s Milo and Pablo Larraín’s My Sad Dead. Also selected to compete for the festival’s Golden Shell are Maha Harada’s feature debut In My Father’s Room, Hans Petter Moland’s Growth Of The Soil, Benjamin Naishtat’s Glaxo and Yeşim Ustaoğlu’s What Remains.
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