Whitney Bryen
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Whitney Bryen’s Biography
Read Full Bio →Whitney Bryen is an award-winning investigative journalist who produces in-depth reporting at the intersection of criminal justice and mental health. She is experienced in collaborating with teams on data-driven work that leads to policy change. She is skilled in public records and building trust with sources, from the Pacific Northwest to Oklahoma, Colorado and beyond.
Whitney's work has been featured at InvestigateWest.org and Oklahomawatch.org as well as, in The Idaho Statesman, The Oklahoma…
Whitney Bryen’s Journalist Portfolio
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More than one-third of Idaho jails failed their inspections. Find out if your local jail is one o...
Idaho ramped up investments in round-the-clock youth psychiatric care. But concerns over safety, ...
Following InvestigateWest report, Idaho approves funding for teen's long-awaited care - but now t...
Interview
See all 12 answers →What was your first job as a journalist?
Have you ever used a typewriter?
How is social media changing news?
Awards
See all 10 awards →Freedom of Information Oklahoma
2020 - Ben Blackstock Award for Commitment to Freedom of Information
Named for late Oklahoma Press Association Executive Director Ben Blackstock, this award recognizes a non-governmental person or organization that has shown a commitment to freedom of information.
Great Plains Journalism Awards
2020 - Online Project
Society of Professional Journalists, Fort Worth: First Amendment Awards
2020 - Defending the Disadvantaged
Oklahoma Society of Professional Journalists
2019 - Online Video Journalism
From the judges’ comments: “Giving voice to the voiceless is perhaps the highest and best use of journalism, and ‘The Invisibles’ does it with heart, dignity and superb street reporting. The journalists took the time to build relationships with their subjects and earn their trust. Dedra Ray and her great-granddaughter speak as naturally about drug addiction with video journalist Whitney Bryen as they might with a family member. Mashiur Rahaman’s homeless subjects are so at ease in his company — and he in theirs — that he is able to bring his camera intimately close, taking us with him.”