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Xenia Hanusiak on Muck Rack

Xenia Hanusiak

New York
As seen in: The New York Times, Financial Times, The Guardian, Chicago Tribune, Aeon, Overland, Limelight, Psyche Magazine, Opera Wire, Musical America and
New York music critic and writer

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Xenia Hanusiak’s Biography

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Culture critic and journalist, essayist and op-ed writer

Articles

In A Recording Profile, Music Of Many Faces Has Snapshot Moment

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By Xenia Hanusiak
| Classical Voice North America
Metropolis Ensemble teams with Sandbox Percussion on a new recording of Simeon ten Holt’s ‘Canto Ostinato.’ Ten Holt: Canto Ostinato. Metropolis Ensemble, Sandbox Percussion; Erik Hall, conductor. Western Vinyl wv294. Total running time: 66 minutes. DIGITAL REVIEW — When Dutch composer Simeon ten Holt (1923-2012) composed his Canto Ostinato in the late 1970s, the piece became, almost by accident, one of the most-performed works in Dutch contemporary-music history.
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‘Ancient Mariner’ Redux: Violist As Narrator, And Thirsting For Real Depth

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By Xenia Hanusiak
| Classical Voice North America
British violinist-vioiist Lawrence Power was the soloist, narrator and conductor in Garth Knox’s ‘The Ancient Mariner: Concerto for Viola and String Orchestra‘ in Canberra, Australia. (Photo by Matthew Johnson) CANBERRA — Every premiere arrives with a reservoir of goodwill. Audiences, performers, and critics alike want a new work to succeed, particularly when it comes from a musician of Garth Knox’s stature.
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Lawrence Power’s ambitious musical vision’ by Xenia Hanusiak

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By Xenia Hanusiak
| The ABR Podcast
When you step into an art exhibition, works fill the gallery. The curator’s work is rarely visible. Their contribution is embedded not in a single object but in the constellation of works, meanings, and connections that the visitor encounters. The curator’s decisions and research are revealed in the manifestation.
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