Xu Wei on Muck Rack

Xu Wei

China
As seen in: Yicai Global, Line Today (Hong Kong), MSN, Wiley Online Library, Associated Press: Press Releases, Frontiers, Journal of Financial Markets, MDPI, The Indian Express, China Daily (English), China Daily Global and
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Articles

L'Oréal, China Trade Promotion Council Launch Beauty Industry Initiative at Supply Chain Expo

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By Xu Wei
| Yicai Global Verified
(Yicai) June 24 -- French cosmetics giant L'Oréal has teamed up with the Academy of China Council for the Promotion of International Trade on a new research initiative exploring the various benefits of the beauty industry at the fourth China International Supply Chain Expo.
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Ui ART｜新展首发｜第二次抵抗：跨世纪以来的另一种艺术

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By Xu Wei
| 163.com (NetEase)
第二次抵抗 ：跨世纪以来的另一种艺术 徐薇 真正的抵抗不是从第一次开始，而是从第二次。 近四十年前， "不许掉头 "作为中国现代艺术大展的标志在中国美术馆门前铺开。今天，如何回望这四个字在时代转折点的意义？八十年代的中国当代艺术是面向现代性的第一次集体觉醒，面对现实与思想桎梏的第一次抵抗。我们看到的不仅是一段先锋史，更是一场关于主体如何诞生的实验。彼时的艺术家既要努力挣脱旧有观念与表达方式的束缚，又渴望建立让主体扎根的信念土壤，同时要面对中国现代性断裂的现实。在所有焦灼并未得到解答的时刻， "不许掉头 "的呐喊被封存在 90 年代前夜，成为了一语成谶的暂停键。 进入九十年代，市场经济不可抗拒地扑面而来，而进入 21世纪后，大量资本涌入艺术市场，价格开始替代价值，流量开始替代观看，成功开始替代创造。同时数字媒介和屏幕社会更不断侵占人的注意力，在无处不在的便捷操作中，人们越来越习惯于即时反馈和快速消费，却渐渐丧失了长期凝视、持续思考和自我沉淀的能力。八十年代艺术家面临的问题是可见的桎梏，明确的限制，资源的缺失，而今天艺术家面临的问题变了，桎梏从外部转向了内耗，障碍从 "不可以...
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China’s Central Business Districts Gain Global Edge, Report Shows

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By Xu Wei
| Yicai Global Verified
(Yicai) June 18 -- The gap between leading central business districts in China and the world's top business hubs is rapidly narrowing, with Chinese CBDs now achieving top-tier global standing across key development indicators, according to a new report.
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