Caitlin Quinlan on Muck Rack

Caitlin Quinlan

London
As seen in: Yahoo Entertainment, Financial Times, The Guardian, Variety, SFGate, SWI, Thrillist, The Cut, British GQ, Dazed Magazine and
publishing @MUBI / writing @ArtReview_; @reverse_shot; @SightSoundmag; @friezeofficial
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Articles

Hold a Kaleidoscope to the World

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By Caitlin Quinlan
| ArtReview
A new swathe of films are rejecting realism and returning to a bolder, more liberated kind of filmmaking. Why did we ever want films to be real in the first place? In 1967, the renowned French film critic and theorist André Bazin famously heralded realism in cinema as the truest pursuit of the form, cautiously aware of the power of other modes like expressionism or dialectical montage to ‘cheat’, ‘trick’ or ‘deform’ the real.
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‘Twisters’ Blows Its Shot by Neglecting the Climate Crisis

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By Caitlin Quinlan
| Frieze
In Twister (Jan de Bont, 1996), when doomed love interest Melissa gets a taste of her fiancé Bill’s past life, it’s a little more than she expected.
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Dream Machine: Hala Elkoussy on East of Noon

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By Caitlin Quinlan
| Notebook
Somewhere between dystopian and historical fiction, reality and the imaginary, dreaming and waking, sits East of Noon (2024), the second feature film by the Egyptian visual artist and filmmaker Hala Elkoussy.
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