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Chang Che on Muck Rack

Chang Che

As seen in: The New York Times, The New York Times en Español, Post Outlook, The Guardian, The Times of India, Wiley Online Library, Yahoo Canada, Yahoo News, arXiv, Clarín (Argentina) and
writer covering China | words in @newyorker ex @nytimes |🇯🇵🇨🇳🇺🇸| follow my writing and updates on Substack: changche.substack.com/about

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Chang Che’s Journalist Portfolio

I'll Leave It to You

I'll Leave It to You

Notes from Inside: A series of dispatches about life during the coronavirus crisis.

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Digital Curtain

Digital Curtain

In March 1946, a year after Hitler's death, Winston Churchill gave a speech at Westminster College in the qua…

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The Case for Compulsory Voting

The Case for Compulsory Voting

The right to vote is under relentless assault in the United States today. In 2013, the Supreme Court nullifie…

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Articles

How Christianity Shaped North Korea’s Personality Cult

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By Chang Che
| Substack
Before Pyongyang became the capital of the Kim dynasty, it was known as the “Jerusalem of the East” — a city so devoutly Christian that even the Western missionaries who converted it were stunned by its fervor. Its most consequential son was a church organist and Sunday school teacher named Kim Il Sung.
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Il futuro è già arrivato

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By Chang Che
| Internazionale Verified
Chen Liang, fondatore della Guchi robotics, un’azienda di automazione con sede a Shanghai, è un uomo alto e robusto sulla quarantina, con occhiali squadrati. In genere ha un modo di fare calmo e sobrio, ma quando è nel suo elemento – a stretto contatto con la tecnologia che costruisce, o durante le riunioni di lavoro in cui si discute dell’imminente sostituzione della forza lavoro umana con i robot – sfoggia il sorriso esuberante di uno stagista al primo giorno del lavoro dei suoi sogni.
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Inside the World-Conquering Rise of the Micro-Drama

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By Chang Che
| The New Yorker Verified
Hengdian World Studios, the largest film complex in existence, takes its name from the pastoral town in southern China that it bestrides. On a frosty Tuesday afternoon in February, I took a cab through farmlands and faded storefronts, toward a hulking replica of the Forbidden City. I had come to see the set of a micro-drama—one of the serialized soap operas, split into minute-long episodes, that have mesmerized global audiences.
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