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Emily Gagne on Muck Rack

Emily Gagne

California, Toronto
As seen in: Dread Central, Canadian Broadcasting Corporation (CBC), Substack, The Mary Sue, Letterboxd, Mondaq, That Shelf
Woman in film (co-host @wereallylikeher, marketing @hollywoodsuite, shorts programmer Gimli Film Fest) who loves ghosts, Britney & himbo cinema 👻💋🌈
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Articles

Emily's Choose Your Own Halloween Adventure: Part II

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By Emily Gagne
| hollywoodsuite.ca
Emily’s Choose Your Own Halloween Adventure: Part II By Whether you’re a film lover or a filmmaker, sequels can be a risky proposition. But sometimes, when the timing is just right, lightning can strike twice. At least that’s what I’m trying to tell myself after asking to come back for another round of Shocktober Staff Picks.
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'The Girl with the Needle' Makes Light of A Dark, Dank True Story [Beyond Fest 2024 Review]

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By Emily Gagne
| Dread Central Verified
Some movies seek to actively disturb audiences through jump scares and gore, which can be upsetting to witness in the moment but not on reflection. Others, however, are about long-term disruption, poisoning your consciousness like black mold with their rancid subject matter and mood. The Girl with the Needle, which recently screened at Beyond Fest, is a perfect example of the latter breed of storytelling. At first, The Girl with the Needle might seem like another WWII drama.
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‘Shell' Lacks the Meat It Needs to Be a Full Feminist Meal [TIFF 2024 Review]

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By Emily Gagne
| Dread Central Verified
Body horror movies are hot right now, and with good reason. Between Coralie Fargeat’s The Substance and Jane Schoenbrun’s I Saw the TV Glow, it feels like we are in a new golden age of the sickening subgenre, this time with women, trans folks, and non-binary babes at the helm. This fact is one of the many reasons why Max Minghella’s Shell, which had its World Premiere at the Toronto International Film Festival, feels so behind the times.
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