Frank Rose on Muck Rack

Frank Rose

New York
As seen in: The New York Times, Estadão, The Independent (UK), Clarín (Argentina), The Atlantic, The Wall Street Journal, WIRED Magazine, Infobae, The New Yorker, The Irish Times and
Author of "The Sea We Swim In" and "The Art of Immersion." Faculty director of Columbia's Strategic Storytelling program, member of its Digital Storytelling Lab

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Frank Rose’s Biography

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Frank Rose is a senior fellow at Columbia University School of the Arts, a correspondent for Wired, and the author most recently of The Art of Immersion: How the Digital Generation is Remaking Hollywood, Madison Avenue, and the Way We Tell Stories. A frequent speaker at film festivals and marketing conferences worldwide, he contributes to The New York Times and The New York Times Book Review, The New Yorker online, the Milken Institute Review, and strategy+business.

Frank has written extensivel…

Frank Rose’s Journalist Portfolio

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The Making of Virtually Real Art With Google's Tilt Brush

The Making of Virtually Real Art With Google's Tilt Brush

Artists test the power of a new tool to create 3-D works.

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The Mission to Save Vanishing Internet Art

The Mission to Save Vanishing Internet Art

A group sets out to preserve digital art before it's too late.

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Augmented Urban Reality

Augmented Urban Reality

Can smartphone connectivity and shared data solve the problems of crowded cities?

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Beyond Our Control

Beyond Our Control

The Evolution of Everything: How New Ideas Emerge, by Matt Ridley

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The Big Bang of Art and Tech in New York

The Big Bang of Art and Tech in New York

Art & Design: Collaborations in the 1960s presaged convergence today.

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The Attention Economy 3.0

The Attention Economy 3.0

How efforts to measure the impact of Internet content are undermining the medium

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Articles

En ‘Dataland’, Refik Anadol convierte datos del Amazonas en un show de arte con inteligencia artificial

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By Frank Rose
| Infobae
Dataland abrirá en el centro de Los Ángeles como un museo dedicado al arte generado por inteligencia artificial fundado por Refik Anadol “Esto es una locura”, dijo uno de los estudiantes en voz baja. “Una locura total”, murmuró el tipo que estaba a su lado. “Locura” era una forma extrema de “impresionante”. Estábamos en el centro de Los Ángeles, en Dataland, el museo que pronto abrirá sus puertas y que está dedicado al arte generado por inteligencia artificial, y sí, fue una experiencia increíble.
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At the Ambitious New A.I Museum, You Feel the Art, and It Feels You Right Back

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By Frank Rose, Sela Shiloni
| The New York Times
“This is crazy,” one of the students said under his breath. “Really crazy,” the guy next to him muttered. “Crazy” being an extreme form of “awesome.” We were in downtown Los Angeles at Dataland, the soon-to-open museum dedicated to art generated by artificial intelligence, and yeah, it was pretty crazy. The students, from an A.I. class at the University of California, Los Angeles, were getting an advance look at the invitation of their professor, the digital art star Refik Anadol.
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When allies can’t count on U.S. ISR, commercial space becomes strategic

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By Frank Rose
| Copernical.com
Home News When allies can’t count on U.S. ISR, commercial space becomes strategic The global security environment is becoming more volatile, not less. The war in Ukraine grinds on. China is increasingly assertive in the Indo-Pacific. The Middle East remains unstable. North Korea continues to test missiles and challenge regional stability. Together, these dynamics are straining the international system in ways not seen since the early Cold War.
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