Mthuthuzeli November knows a thing or two about world-building. He doesn’t just choreograph dance, he immerses himself in the process, from ideation to the premiere. He sets the scene, develops characters from scratch, and breathes life into them in a style all his own. Imagine, for example, a sequence of classical poses: One minute, dancers perform an arabesque en pointe from first position to second position, the extension of the leg, the turnout of the hip and knee.