Skip To Main Content
Mohammad Kamran Jawaid on Muck Rack

Mohammad Kamran Jawaid

Verified
Karachi, Malaysia
As seen in: Dawn, Wiley Online Library, ScienceDirect, The Wire (India), Pakistan Defence, Asia News Network (ANN), Rapid Prototyping Journal, Culture Times of Canada
Film Critic and analyst: Dawn, ICON (previously IMAGES), IGN, MAG. Motion Picture Consultant/Producer. Owner KJP. Just MKJ for the media guys. https://t.co/9Nq5
Is this you? As a journalist, you can create a free Muck Rack account to customize your profile, list your contact preferences, and upload a portfolio of your best work. Claim your profile

Get in touch with Mohammad Kamran

Contact Mohammad Kamran, search articles and posts on X, monitor coverage, and track replies from one place.

Learn more about Muck Rack

Actions

Share this page

Is this you?

As a journalist, you can create a free Muck Rack account to customize your profile, list your contact preferences, and upload a portfolio of your best work.
Claim your profile

Articles

CINEMASCOPE: FURTHER ON THE MONEY TRAIN

|
By Mohammad Kamran Jawaid Verified
| Dawn Verified
There comes a point in every film franchise — horror or otherwise — when the question stops being “What happens next?” and becomes “How long can they keep doing this?” Insidious: Out of the Further, the sixth entry in the series, gives a fairly industry-standard answer: longer than they probably should. While Insidious has long stopped being ‘insidious’, to its credit, the film does what a sequel this deep into a franchise often always does.
Open in Who Shared Issue with article?

CINEMASCOPE: WHEN DINOSAURS AREN’T THE PROBLEM

|
By Mohammad Kamran Jawaid Verified
| Dawn Verified
A family surviving by barricading themselves in their house to hide from hostile creatures — sounds like a familiar plot, doesn’t it? Last week, the premise found a home on Netflix’s The Last House, and this week, the bubble — literally and figuratively — expands to The End of Oak Street.
Open in Who Shared Issue with article?

STREAMING: A HOUSE DIVIDED

|
By Mohammad Kamran Jawaid Verified
| Dawn Verified
For a simple, straightforward movie, The Last House is surprisingly confused about what it wants to be. Is it an alien invasion thriller? A survival story? A family drama where most of the runtime is taken up by perfunctory decisions that work only for the time being, while the crucial choices — the ones leading to actual revelations and the high points of the story — are held back for the climax? Here’s a hint: it is all of the above, with a heavy emphasis on the last part.
Open in Who Shared Issue with article?
See all 306 licensed articles (332 Total)