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Richard Vokes on Muck Rack

Richard Vokes

As seen in: The Guardian, Wiley Online Library, Quartz, The Conversation, Scroll.in, The Standard (Kenya), The Wire (India), AllAfrica, Modern Ghana, The Star (Kenya) and
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Articles

Visual Anthropology Review | AAA Journal | Wiley Online Library

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By Paul Basu, Haidy Geismar, Richard Vokes
| Wiley Online Library Verified
REFERENCES . 1992. “ General Introduction: Cinema as Event.” In Sound Theory/Sound Practice, edited by Rick Altman. Routledge. . 2018. “Otuo Wrestling Festival, July 1909.” [Re:]Entanglements blog. https://re-entanglements.net/otuo-wrestling-festival/ . 2021. “ Remobilising Colonial Collections in Decolonial Times: Exploring the Latent Possibilities of N. W. Thomas's West African Collections.” In Mobile Museums: Collections in Circulation, edited by Felix Driver, Mark Nesbit, and Caroline Cornish.
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The memory keepers

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By Charlotte Mertens, Jean Allman, Benjamin Talton, Richard Vokes
| Africa Is a Country
Nairobi is the capital of hustle. Hatch a scheme, find an angle, work a connection, don’t stop until you make something, anything, happen. Blame—or give credit to—a poisonous colonial legacy, broken state, and limping economy for making hustle the pulsing energy that courses through the city.
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For the archive yet to come

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By Charlotte Mertens, Justin Pearce, Sara Hanaburgh, Richard Vokes
| Africa Is a Country
A portrait of King Leopold II greets visitors upon entering the Africa Archive’s reading room in Brussels (Fig. 1). No note to explain that he was the private owner of the Congo Free State and responsible for widespread violence perpetrated against Congolese people. No disclaimer to inform the visitor why the former colonial state still controls and manages the archive. In fact, the visitor gets the impression of an organized and quiet institution.
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