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Sadie Rebecca Starnes on Muck Rack

Sadie Rebecca Starnes

(She/Her)
Brooklyn, New York
As seen in: The New York Times, Hyperallergic, Los Angeles Review of Books, Frieze, Artforum, The Brooklyn Rail, artcritical, ARTILLERY

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Sadie Rebecca Starnes’s Biography

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Sadie Rebecca Starnes is an artist, writer and editor from North Carolina. She has written reviews, profiles and essays for The New York Times, Artforum and Frieze, among others, as well as edited landmark books of art and photography. A painter, she has held numerous solo exhibitions in both Tokyo and NYC.

Sadie Rebecca Starnes’s Journalist Portfolio

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In Minds of: Ryuichi Sakamoto - Plus Magazine

In Minds of: Ryuichi Sakamoto - Plus Magazine

A reflection on Ryuichi Sakamoto's legacy, tracing how his music, nature, and technology come together in a p…

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Le Dépays by Chris Marker - Film Desk Books

Le Dépays by Chris Marker - Film Desk Books

This is the first English language edition of Chris Marker’s 1982 photo-essay, Le Dépays. Lovingly adapted fr…

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Ben Lerner’s ‘The Lights’ Is a Poetry of Withdrawal

Ben Lerner’s ‘The Lights’ Is a Poetry of Withdrawal

What gives gravity to The Lights, keeping it in this atmosphere, is a sharp materiality – both in terms of su…

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Play of the Waves

Play of the Waves

It's 1984, and Ryuichi Sakamoto is riding around town with filmmaker Elizabeth Lennard as she shoots Tokyo Me…

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Magic and Technology: A Profile of David Duchovny

Magic and Technology: A Profile of David Duchovny

A surfer skims across the Pacific without touching it, and Duchovny is really smiling now. “Everybody’s Jesus…

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Emotional Intelligence

Emotional Intelligence

The venerable atmosphere makes her inaugural group exhibition, “Emotional Intelligence,” feel especially youn…

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Articles

Ben Lerner’s ‘The Lights’ Is a Poetry of Withdrawal

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By Sadie Rebecca Starnes
| Frieze Verified
The Lights (2023) opens with a familiar song, Walt Whitman’s ‘Leaves of Grass’ (1855): ‘I bequeath myself to the dirt to grow from the grass I love …’ It’s a summer of protest and pandemic in Brooklyn and Ben Lerner is pulling handfuls of Whitman from a patch of Fort Greene Park, hearing him in the loose earth and the shattering glass.
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Play of the Waves

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By Sadie Rebecca Starnes
| The Brooklyn Rail Verified
“Debussy used to say he liked images as much as music.” It’s 1984, and Ryuichi Sakamoto is riding around town with filmmaker Elizabeth Lennard as she shoots Tokyo Melody, a portrait of the Japanese composer at the height of his fame. Between half-smiles and cigarettes, he ruminates on art and technology, answers oui and hai to unheard questions, then sits down at the Fairlight CMI digital audio workstation. “This is time.
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Magic and Technology: A Profile of David Duchovny

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By Sadie Rebecca Starnes
| Los Angeles Review of Books Verified
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