Sam Lefebvre on Muck Rack

Sam Lefebvre

Oakland
As seen in: The New York Times, The Guardian, SFGate, KQED Arts and Culture, KQED-FM (San Francisco, CA), KQED-TV (San Francisco,CA), Pitchfork, San Francisco Chronicle, Hyperallergic, The FADER and
human rental | @TANC_bay member | non plus temps
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Articles

The HMC-20, a low cost, multi functional HMI interface

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By Sam Lefebvre
Things used in this project Introduction and history The project started in 2020, during Corona time. After some talks with a local company the idea was growing to use a display for making data from vehicles visible on the dashboard. To make it more universal, I was investigating how it could made more generic and ordered some Asian display modules from Nextion, Topway and Eastrising.
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How San Francisco Punk Reacted to Dianne Feinstein in the 1970s

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By Sam Lefebvre
| KQED Arts and Culture
Sep 29 Failed to save article Please try again Jello Biafra, singer for the Dead Kennedys, whose debut album in the wake of the Moscone/Milk murders lambasted San Francisco's new liberal elite. (Courtesy Alternative Tentacles) Editor’s Note: This article was originally published in 2018. In the fall of 1978, the San Francisco punk scene was thriving.
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How Do You Build a Portrait?

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By Anne Wallentine, Sam Lefebvre, Caroline Liou, Karen Chernick 
| getrevue.co
How do you build a portrait? This was a driving question of Amir H. Fallah’s exhibition in Los Angeles last year, when he exhibited a series of whimsical portraits that didn’t depict the actual human subjects, but rather the objects and memories associated with them. Some of my favorite pieces published on Hyperallergic over the past year are, in a way, portraits — of artists, communities, and subcultures. A good portrait requires care and investing the time to pay close attention.
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