Shiv Kotecha on Muck Rack

Shiv Kotecha

New York
As seen in: Frieze, The Nation, Notebook, Artforum, The New Inquiry, Aperture Magazine, Cultured Magazine, The Believer, 4Columns, The Forge: Organizing Strategy and Practice
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Articles

‘Permanent Trespass’: Looking Beyond the American Century

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By Shiv Kotecha
| Frieze Verified
This piece appears in the columns section of frieze 248, ‘Disobedience’ Sanja Grozdanić and Basyma Saad's performance Permanent Trespass (Beirut of the Balkans & The American Century) (2021–ongoing) begins with imminent liquidation. ‘Everything must go!’, Saad utters to Grozdanić. She is holding a copy of the script, but she’s not reading it. Her delivery is unaffected; like the sparsely decorated interior that surrounds them, it’s a bit empty.
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Sam Lipps Scours the Painted Surface

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By Shiv Kotecha
| Frieze Verified
Frieze PublishingYes, email me reviews, offers, and opinions by artists, writers, and editors from Frieze Frieze EventsYes, email me Frieze Events Inc and Frieze Events Ltd’s global programme information including special offers and benefits I meet the painter Sam Lipp in his studio, on the seventh floor of a building in Chinatown, New York.
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Shiv Kotecha / Dorsky Summer

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By Shiv Kotecha
| thecapilanoreview.com
From Issue 4.5 Dedications During a dream one night, before or after I met a baby version of myself in Turkey, before or after I sucked on a friend’s cock in a park I understood to be “Balkan” at the top of San Francisco, before or after I debated the category to which an unremembered food item that tasted like orange flavored wine on acid more appropriately belonged, pizza or roll, before or after I found the groins of six vultures my grandmother had fingered to death, before or after...
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