Dug Dug unfolds like a fever dream rooted in something deeply familiar, the human need to believe. Yet what makes Ritwik Pareek’s film so striking is not merely its premise but the delicate tightrope it walks. This is a satire that takes aim at religious superstition and the machinery that feeds it but it refuses to sneer. It observes, it provokes and then it steps aside, allowing viewers to wrestle with their own conclusions. The film begins with an almost hypnotic prologue.