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Clement Obropta

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Articles

“Disclosure Day”: Emily Blunt and Josh O'Connor Unravel a Government Conspiracy

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By Clement Obropta
| Ithaca Times Verified
The question of whether we’re alone in the universe has been answered by the movies a thousand times over. Usually with a lot of explosions and punching, and sometimes with Ryan Gosling becoming BFFs with a space rock. Somewhat refreshingly, Steven Spielberg’s “Disclosure Day” instead envisions the world’s relationship with extraterrestrial life as a decades-long cover-up by a ruthless, top-secret government agency called Wardex.
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“Backrooms”: Lose Yourself in This Modern Creepypasta Masterpiece

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By Clement Obropta
| Ithaca Times Verified
Furniture stacked floor to ceiling. Utility poles sunken into the carpet. Sofas disappearing into solid walls. This is the “backrooms,” a liminal labyrinth of sickly yellow wallpaper and fluorescent lighting that seems to go on forever, which forms the backdrop of A24’s latest theatrical horror experience. Directed by Kane Parsons, “Backrooms” unfolds in the 1990s, in the basement of Cap’n Clark’s Ottoman Empire, a floundering furniture store run by failed architect Clark (Chiwetel Ejiofor).
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“I Love Boosters” Critiques the Fashion Industry with a Communist Fever Dream

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By Clement Obropta
| Ithaca Times Verified
There’s no director doing it like Boots Riley. America’s premier communist hip-hop artist and filmmaker, Riley is known for his absurdist calling card “Sorry to Bother You,” which starts with LaKeith Stanfield playing a telemarketer who uses a “white voice” to speak to his non-Black clients and ends with a vast corporate conspiracy that involves Armie Hammer trying to use cocaine to turn people into centaurs.
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