The flow and creativity of a NYC-based performer translated clearly via telephone, even over 100 miles. Paul Pinto, a composer, an artist and an original cast member of “Natasha, Pierre and the Great Comet of 1812,” on Broadway, eagerly discussed the ins and outs of his latest original work, “Mano A Mano,” a unique stage performance that he is currently workshopping and bringing to some local colleges.