Nigel R. Andrew on Muck Rack

Nigel R. Andrew

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As seen in: Austral Ecology, Color Research & Application, Daily Mail, Nature, Wiley, Wiley Online Library, The Conversation, Phys.org, The Spectator, PeerJ, Tolerance Canada and
Editor-in-Chief @AustralEcology; Past President @EcolSocAus; Ecology; Insects; Climate Change; Citizen Science; Entomology; Zoology
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Articles

Is Australia’s scorched earth baiting program actually paving the way for fire ant invasion? Original

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By Nigel R. Andrew
| The Conversation
Right now, Australia is undertaking the world’s largest removal of invasive ants. The goal: eradicate fire ants (Solenopsis invicta). These aggressive South American ants are named for the burning sensation of their sting. They pose risks to many native species – and to human health. Fire ants have made it to Australia nine times, arriving in cargo ships. Eight times, authorities were able to stamp them out early.
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Broadcast Baiting May Ultimately Help Fire Ants Spread, Not Eradicate Them

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By Nigel R. Andrew, Joshua King
| Wiley Online Library
Disclosure The authors have nothing to report. Conflicts of Interest Nigel R. Andrew is an Editor with Austral Ecology. However, he played no part in the editorial decision-making process for this manuscript. Data Availability Statement Supporting Evidence Spreadsheet attached as per Hot Topic Authorship guidelines in . Supporting Information Filename Description aec70174-sup-0001-DataS1.xlsxExcel 2007 spreadsheet , 68.6 KB Data S1: aec70174-sup-0001-DataS1.xlsx.
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Human contributions to global soundscapes are less predictable than the acoustic rhythms of wildlife - Nature Ecology & Evolution

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By Panu Somervuo, Tomas Roslin, Brian Fisher, Bess Hardwick, Deirdre Kerdraon, Petteri Lehikoinen, Pekka Niittynen, Orlando Acevedo-Charry, Solny A. Adalsteinsson, Maaz Ahmad, Nigel R. Andrew, Sten Anslan, Alexandre Antonelli, Joaquín Baixeras, Rosario Balestrieri, Pedro Beja, Benjamin Bergerot, Elizabeth Biro , Pedro G. Blendinger, Leslie Brown, Hannah L. Buckley, Erika Buscardo, Luciano Cagnolo, Alice Calvente, Bradley S Case, JenYu Chang, Ricardo Díaz-Delgado, Thomas Dirnböck, Torbjørn Ekrem, Emanuele Ferrari, Axa Simões Figueiredo, Laura Garzoli, Olivier Gilg, Brigitte Gottsberger, Patrícia Mota Guedes, Peter Haase, Jari Hänninen, Rohit Jha, Rhea Kahale, Dave Karlsson, Asghar Khan, Qaisar Khan, Sebastian König, Nicolas Lecomte, Erin Lecomte, Daijiang Li, John Loehr, Michael Maroschek, Shunsuke Matsuoka, Paul McDonald, Ángela M. Mendoza-Henao, Sébastien Moreau, Anna Mrázová, Simona Musazzi, Marko Mutanen, Jörg Müller, Jenni Nordén, Erin O’Connell, Thomas Pagnon, Mikko Pentinsaari, Thiago Pinheiro, Luke Powell, Paola Pulido-Santacruz, Rui Rebelo, Gonzalo Torres, Ines Rosario, Douglas Santos, Niels Martin Schmidt, Sebastian Seibold, Rupert Seidl, Elise Sivault, Renata Sousa-Lima, Angela Stanisci, Stefan Stoll, Elisabeth Stur, Janne Sundell, Leho Tedersoo, Catalina Espinosa, Karl Vernes, Phillip C. Watts, Per Weslien, Patrik Lauha, Lukas Griem, Julieta Soledad Arena, Ines Aster, Laura Carreón-Palau, Suzanne Carriere, Francisco Collado Rosique, Anamaria Dal Molin, Ika Djukic, Jeremías Domínguez Masciale, Thiago Dorigo, Errol Douwes, Inga Freiberga, Leivur Janus Hansen, Reid Harrop, Masae Iwamoto Ishihara, Keishi Kimoto, Clemens Klante, Mårten Klinth, Agnes-Katharina Kreiling, Irmgard Krisai-Greilhuber, Pascaline Le Gouar, Paula Moraes Leitman, Carlos Lopez-Vaamonde, Gabriela Giselle Mangini, Nancy Wangari Mungai, Armin Niessner, Mark Tristan Quilantang, Wolfram Remmers, Carole Saliba, Benjamin Schattanek-Wiesmair, Ayaka Soda, Willem Maartin Strauss, Maija Sujala, Emma Vatka, Jana Helga Wisniewski
| Nature
Abstract Across the world, human (anthropophonic) sounds add to sounds of biological (biophonic) and geophysical (geophonic) origin, with human contributions including both speech and technophony (sounds of technological devices). To characterize society’s contribution to the global soundscapes, we used passive acoustic recorders at 139 sites across 6 continents, sampling both urban green spaces and nearby pristine sites continuously for 3 years in a paired design.
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