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Articles by Jen Webb
A poetic meditation on the tongue also explores violence and silence within families
Jen Webb, University of Canberra Sun 18 October 2026 at 7:13 pm UTC 6 min read Add Yahoo as a preferred source to see more of our stories on Google. Abeer Zaki/unsplash, CC BY-ND Tongue is a debut book, but Australian author Kathryn Crowcroft has previously published scholarly articles, poems and reviews. Tongue emerges from her doctorate, as the product of thinking and observations that couldn't be contained within that work.
A poetic meditation on the tongue also explores violence and silence within families
Tongue is a debut book, but Australian author Kathryn Crowcroft has previously published scholarly articles, poems and reviews. Tongue emerges from her doctorate, as the product of thinking and observations that couldn’t be contained within that work. Review: Tongue – Kathryn Crowcroft (Giramondo) Tongue certainly shows its research DNA, but it is considerably more than that.
A poetic meditation on the tongue also explores violence and silence within families
Abeer Zaki/unsplash, CC BY-ND Tongue is a debut book, but Australian author Kathryn Crowcroft has previously published scholarly articles, poems and reviews. Tongue emerges from her doctorate, as the product of thinking and observations that couldn’t be contained within that work.
What is Australia’s best book? Our experts pick their favourites
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This weekend, Radio National will count down its Top 100 Australian books poll, in which voters picked their favourite work of any genre. The winner will be crowned on Sunday. It’s an ambitious enterprise – around 200 years of Australian writing subject to a popular vote. And yet, if such polls get people talking and thinking about literature, what’s not to like?
By Jo Case Verified, Suzy Freeman-Greene, Alexander Howard, Andrew Pippos, Bronwyn Carlson, Danielle Clode, Darryl Jones, Debra Adelaide, Edwina Preston, Emma Shortis, Euan Ritchie, Frank Bongiorno, Graham Akhurst, Intifar Sadiq Chowdhury, Jen Webb, Joanna Mendelssohn, John Long, Joshua Black, Kevin Brophy, Liz Evans, Lynda Ng, Maggie Nolan, Nicholas Jose, Nick Haslam, Peter C. Doherty, Robert Manne, Sarah Holland-Batt, Sue Turnbull, Tim Flannery, Tom Griffiths, Yves Rees
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The Conversation
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This strange novel riffs on The Tempest, swapping its teen girl for a menopausal marine biologist Original
Kris Kneen’s new novel of rich strangeness and blurred boundaries, and set on a wild island, references both Shakespeare’s The Tempest and Stravinsky’s Rite of Spring – which gives it its name. Rite of Spring adds to Kneen’s warmly received body of work, which includes fiction and memoir. Kneen writes narratives that accommodate both the literary and the erotic – and their new novel continues this legacy.
Violence, loss and bright threads of kindness: your guide to the 2026 Stella shortlist
The six books that make up the shortlist for this year’s Stella Prize consider the problem of violence – both personal and cultural – in very different ways. The abusive ex-husband, the heavy boot of the law, the brutality of invasion, the pressures of isolation and loss. But hearteningly, each book also has a bright thread of kindness, the richness of natural and built environments – and the consolations of poetry.
Lee Lai’s Cannon is the first graphic novel to win the Stella Prize Original
Author–artist Lee Lai has won the 2026 Stella Prize for her graphic novel, Cannon. This is the first time the Stella has been won by a graphic novel. Lai, who was shortlisted for the Stella Prize in 2022 for Stone Fruit, has had work published in the New York Times, The New Yorker, Granta and more. Cannon was named as a best book for 2025 in several lists, and shortlisted for several prizes, including the Carol Shields Prize and a Los Angeles Times Book Prize.
Violence, loss and bright threads of kindness: your guide to the 2026 Stella shortlist Original
The six books that make up the shortlist for this year’s Stella Prize consider the problem of violence – both personal and cultural – in very different ways. The abusive ex-husband, the heavy boot of the law, the brutality of invasion, the pressures of isolation and loss. But hearteningly, each book also has a bright thread of kindness, the richness of natural and built environments – and the consolations of poetry.
Sororicidal: this witty sisterhood novel knows children can be awful
The title of Edwina Preston’s fourth book, Sororicidal, warns us against the presence of a happy family. After all, the word refers to the killing of a sister, or the tendency to harm a sister – and in each section of this novel we come up against a different kind of harm. It begins in early 20th century Australia and follows a dysfunctional family, and especially their daughters – one an artist, one later a conflicted mother – over several decades.
Sororcidal: this witty sisterhood novel knows children can be awful Original
The title of Edwina Preston’s fourth book, Sororicidal, warns us against the presence of a happy family. After all, the word refers to the killing of a sister, or the tendency to harm a sister – and in each section of this novel we come up against a different kind of harm. It begins in early 20th century Australia and follows a dysfunctional family, and especially their daughters – one an artist, one later a conflicted mother – over several decades.
Words can’t save a life – but they can capture it. Debra Adelaide farewells friend Gabrielle Carey
Debra Adelaide’s new novel, When I Am Sixty-Four, is based on her lifelong friendship with the late Gabrielle Carey – a fellow author she first met in primary school, and bonded with over reading. Best known as the teenage author of Puberty Blues, Carey was also a lifelong literary scholar – particularly of James Joyce. Adelaide has published novels and short-story collections since the mid-1990s and has won or been listed for significant literary awards.
Learning From Failure for Doctoral Education
1 Introduction We consider failure in doctoral education an important topic. However, it is a topic that is avoided and not often talked about in the academic discourse. This paper investigates how failure is currently represented within the literature, including gaps, silences, and tensions, and poses questions about what can be learned from the experience of failure. Our understanding of failure in doctoral education is multi-fold.
Walls chosen as 2025 Lamplighter
Brad and Cyndi Wall were named the 2025 Lamplighter for the upcoming Festival of Lights and will be in the lighted parade on Nov. 29. I’ve been beyond blessed to grow up watching my parents, Brad and Cyndi Wall, devote their time and energy to serving others. When they moved to Preston, they immediately immersed themselves in the local Special Olympics organization, Lions Club and more. Through Special Olympics, they quickly fell in love with our local special needs community.
Best books of 2025: our experts share their picks Original
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The end of the year means holiday celebrations, summer breaks … and for us, one important thing: best books lists. We asked 35 expert readers for their favourite picks, ranging from novelists to anthropologists, scientists to criminologists – and experts in politics, publishing and philosophy. The only rule? The book had to be published this year. And the Books & Ideas team are sharing our own best books of 2025.
By James Ley, Jo Case Verified, Alexander Howard, Alice Grundy, Allanah Hunt, Andrew Pippos, Carol Lefevre, Edwina Preston, Elizabeth Finkel, Emma Shortis, Euan Ritchie, Eve Vincent, Fiona Wright Verified, Intifar Sadiq Chowdhury, Jen Webb, Jindan Ni, John Long, John Quiggin, John Woinarski, Joelle Gergis, Julian Novitz, Juliet Rogers, Jumana Bayeh, Lynda Ng, Matthew Sharpe, Melanie Saward, Mia Martin Hobbs, Michelle Hamadache, Natalie Kon-yu, Nick Haslam, Peter Mares, Sandra Phillips, Sophie Gee, Tom Doig, Tony Hughes-D'Aeth, Vijay Mishra, Wanning Sun
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The Conversation
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‘Oh, the fog lying like a blanket over this sad town’: The Mushroom Tapes sees the humanity in an inhumane story
The Mushroom Tapes opens with a blunt refusal to accept a murder trial as spectator sport: It starts and we are not even there. Everyone in the world is talking about it. People say to us, you must be going. No, we answer. “No. No. No. A woman is being tried for triple murder”.
‘Oh, the fog lying like a blanket over this sad town’: The Mushroom Tapes sees the humanity in an inhumane story Original
The Mushroom Tapes opens with a blunt refusal to accept a murder trial as spectator sport: It starts and we are not even there. Everyone in the world is talking about it. People say to us, you must be going. No, we answer.
Who are the worst mothers in literature?
The first sentence of Anna Karenina is now a literary cliche, yet contains a nub of truth. “All happy families,” writes Leo Tolstoy, “resemble one another, each unhappy family is unhappy in its own way.” Literature brims with thwarted parents wreaking havoc in unique ways. We’ve considered the worst fathers. Now we look at troubling mothers. A recent contender here is Arundhati Roy’s depiction of her tyrannical, infuriating yet seductive mother Mary in her new memoir.
Who are the worst mothers in literature? Our experts weigh in
The first sentence of Anna Karenina is now a literary cliche, yet contains a nub of truth. “All happy families,” writes Leo Tolstoy, “resemble one another, each unhappy family is unhappy in its own way.” Literature brims with thwarted parents wreaking havoc in unique ways. We’ve considered the worst fathers. Now we look at troubling mothers. A recent contender here is Arundhati Roy’s depiction of her tyrannical, infuriating yet seductive mother Mary in her new memoir.
Who are the worst fathers in literature? Our experts make the tough call Original
Literature has long portrayed messed-up families. As poet Philip Larkin famously wrote, “They fuck you up, your mum and dad. / They may not mean to, but they do.” In honour of this rich vein of dysfunction, we asked experts to nominate the worst literary fathers and mothers. Today we delve into dads. Tomorrow, we turn to mothers. Of course, complex characters – neither wholly good nor bad – are the best sort.
Who are the worst fathers in literature?
Literature has long portrayed messed-up families. As poet Philip Larkin famously wrote, “They fuck you up, your mum and dad. / They may not mean to, but they do.” In honour of this rich vein of dysfunction, we asked experts to nominate the worst literary fathers and mothers. Today we delve into dads. Tomorrow, we turn to mothers. Of course, complex characters – neither wholly good nor bad – are the best sort.
Grief is the Thing With Feathers transforms tragedy into literature
Max Porter lost his father when he was just six years old. He has described his first book, Grief is the Thing with Feathers, as "a love letter to my dad". Subscribe today for the news that matters or signup to continue reading LIMITED TIME OFFER All articles from our website & app The digital version of Today's Paper Crosswords, Sudoku and Trivia Max Porter's novel Grief is the Thing with Feathers features a crow as an unlikely character.
Mythical, slippery, shapeshifting: Grief is the Thing With Feathers transforms tragedy into literature
Max Porter lost his father when he was just six years old. He has described his first book, Grief is the Thing with Feathers, as “a love letter to my dad”. A huge bestseller when it was published in 2015, it is one of many books in literary history that deal with grief – whether it is the author’s own experience, or a grief observed. It tells the story of the husband and sons of a woman who has died suddenly. The three are not coping with the shock and absence of this bereavement.
Mythical, slippery, shapeshifting: Grief is the Thing With Feathers transforms tragedy into literature
A huge bestseller when it was published in 2015, it is one of many books in literary history that deal with grief – whether it is the author’s own experience, or a grief observed. It tells the story of the husband and sons of a woman who has died suddenly. The three are not coping with the shock and absence of this bereavement. Into this situation comes a most unlikely character: Crow. Borrowing Dickinson’s habit of editing her poems by hand, Porter crosses out “love” and replaces it with “crow”.
Mythical, slippery, shapeshifting: Grief is the Thing With Feathers transforms tragedy into literature
Max Porter lost his father when he was just six years old. He has described his first book, Grief is the Thing with Feathers, as “a love letter to my dad”. A huge bestseller when it was published in 2015, it is one of many books in literary history that deal with grief – whether it is the author’s own experience, or a grief observed. It tells the story of the husband and sons of a woman who has died suddenly. The three are not coping with the shock and absence of this bereavement.
Yiyun Li lost both her sons to suicide. Her new memoir reveals her as a very special writer
“My husband and I had two children and lost them both,” writes Yiyun Li early in her latest book, Things in Nature Merely Grow. And then, with harrowing directness, “Both chose suicide”. Such loss might seem at odds with the title of growth, but as she explains in her deeply thoughtful, rigorous account of a family tragedy, it reflects insights developed through the practice of gardening.
‘Radical acceptance’: Yiyun Li lost both her sons to suicide. Her rigorous memoir reveals her as a very special writer
“My husband and I had two children and lost them both,” writes Yiyun Li early in her latest book, Things in Nature Merely Grow. And then, with harrowing directness, “Both chose suicide”. Such loss might seem at odds with the title of growth, but as she explains in her deeply thoughtful, rigorous account of a family tragedy, it reflects insights developed through the practice of gardening.
‘Radical acceptance’: Yiyun Li lost both her sons to suicide. Her rigorous memoir reveals her as a very special writer
Such capacities are very useful for writers, and Li is a prolific author who brings to her writing a forensic, incisive perspective, along with a marvellous deployment of language and tone. Review: Things in Nature Merely Grow – Yiyun Li (Fourth Estate) Born and raised in China, Li migrated to the United States in 1996 with the intention of completing a doctorate in immunology. But, she says, “I wanted to do something I loved”. That turned out to be writing.
In We Do Not Part, Han Kang faces historical traumas with compassion
It’s daunting to review a novel written by someone who, in 2024, received the Nobel Prize in Literature. The prize was awarded for Han Kang’s “intense poetic prose that confronts historical traumas and exposes the fragility of human life”: a description that applies equally to this newly translated work. We Do Not Part tells the story of Kyungha, a writer of 20th-century South Korean history, and her longterm friend Inseon, a documentary filmmaker and photographer.
In We Do Not Part, Han Kang faces unbearable historical traumas with sorrow and compassion
It’s daunting to review a novel written by someone who, in 2024, received the Nobel Prize in Literature. The prize was awarded for Han Kang’s “intense poetic prose that confronts historical traumas and exposes the fragility of human life”: a description that applies equally to this newly translated work. Review: We Do Not Part – Han Kang, translated by E.
Outback noir and Gothic creepiness: the uncanny is never far away in Martine Kropowski’s Everywhere We Look
Crime fiction is one of the most successful genres. Its titles fill bestseller lists around the world and provide hours of pleasure to its many readers – including me, a long-time fan of the form. There are various views about why it is so popular. Many offer a variant of Aristotle’s theory of tragedy, which crime novelist Dorothy L. Sayers explains at some length and with satisfying clarity. Aristotle argued that tragedy allows us to experience pity and terror, leading to emotional catharsis.
Best Australian books of the 21st century: as chosen by 50 experts Original
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Like so many avid readers around the world, I was fascinated by the recent New York Times list of the Best Books of the 21st century, as voted by 503 authors, critics and book lovers. But like many Australians, I was disappointed to see no Australian books on the list. Even those authors who’ve made a splash in the US literary scene this century – Helen Garner, Gerald Murnane, Maria Tumarkin – didn’t get a guernsey. That’s where we come in.
By Jo Case Verified, Aidan Coleman, Alexander Cothren, Alexander Howard, Ali Mohammad Alizadeh, Amanda Tink, Astrid Edwards, Brenda Walker, Brian Castro, Brigid Magner, Brigitta Olubas, Briohny Doyle, Camilla Nelson, Carol Lefevre, Clare Wright, Danielle Wood, David McCooey, Debra Adelaide, Edwina Preston, Elfie Shiosaki, Emmett Stinson, Hsu-Ming Teo, Jane Gleeson-White, Jen Webb, Julian Novitz, Julieanne Lamond, Jumana Bayeh, Kevin Brophy, Leah Jing McIntosh, Liz Evans, Lyn McCredden, Lynda Ng, Maggie Nolan, Matthew Lamb, Monique Rooney, Mridula Nath Chakraborty, Natalie Kon-yu, Nicholas Jose, Paul Giles, Penni Russon, Ronnie Scott, Sally Breen, Sarah Holland-Batt, Sian Prior, Stephen Romei, Tanya Dalziell, Tom Doig, Tony Hughes-D'Aeth, Vijay Mishra, Yves Rees
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The Conversation
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‘You can’t murder a people and walk away scot-free.’ In The Voyage Home, Pat Barker explores morality in war
The first volume of Pat Barker’s trilogy of the Trojan conflict starts with an epigraph taken from Philip Roth’s The Human Stain: “All of European literature springs from a fight”. This reduction of the conventional view of war to a mere “fight” acts as a coda for the whole series, establishing an iconoclastic view of war; one that largely ignores the guts-and-glory narratives.
Shankari Chandran’s Safe Haven, a gripping and persuasive novel of asylum seekers, reads like an open wound
There have been many Australian publications about refugees and asylum seekers. Many are memoir or reportage. Perhaps the best known is Behrooz Boochani’s autobiographical No Friend But the Mountains (2018). But there is also a body of such narratives written in the form of fiction. Think of Maxine Beneba Clarke’s Foreign Soil (2014), E. Lily Yu’s On Fragile Waves (2021), or Zaheda Ghani’s Pomegranate and Fig (2022).
Book review: Safe Haven
But there is also a body of such narratives written in the form of fiction. Think of Maxine Beneba Clarke’s Foreign Soil (2014), E. Lily Yu’s On Fragile Waves (2021), or Zaheda Ghani’s Pomegranate and Fig (2022). Through what has been called “the emotional power of close-ups”, both the fiction and nonfiction written on this topic has the potential to interrupt public perceptions and official discourses on refugee issues.
Shankari Chandran’s Safe Haven, a gripping and persuasive novel of asylum seekers, reads like an open wound
© 2024 Tolerance.ca ® Inc. All reproduction rights reserved. All information reproduced on the Web pages of www.tolerance.ca (including articles, images, photographs, and logos) is protected by intellectual property rights owned by Tolerance.ca ® Inc. or, in certain cases, by its author. Any reproduction of the information for use other than personal use is prohibited.
Shankari Chandran’s Safe Haven, a gripping and persuasive novel of asylum seekers, reads like an open wound Original
There have been many Australian publications about refugees and asylum seekers. Many are memoir or reportage. Perhaps the best known is Behrooz Boochani’s autobiographical No Friend But the Mountains (2018). But there is also a body of such narratives written in the form of fiction. Think of Maxine Beneba Clarke’s Foreign Soil (2014), E. Lily Yu’s On Fragile Waves (2021), or Zaheda Ghani’s Pomegranate and Fig (2022).
Shankari Chandran’s Safe Haven, a gripping and persuasive novel of asylum seekers, reads like an open wound
There have been many Australian publications about refugees and asylum seekers. Many are memoir or reportage. Perhaps the best known is Behrooz Boochani’s autobiographical No Friend But the Mountains[1] (2018). But there is also a body of such narratives written in the form of fiction. Think of Maxine Beneba Clarke’s Foreign Soil[2] (2014), E. Lily Yu’s On Fragile Waves[3] (2021), or Zaheda Ghani’s Pomegranate and Fig[4] (2022).
our experts share the books that have stayed with them
We asked 20 of our regular contributors to nominate their favourite books of the year. Their choices were diverse, intriguing and sometimes surprising. Whether you’re looking for something relaxing or stimulating, educational or enchanting, this selection is a great way to plan your summer reading – or simply add to your bedside book tower. Edwina Preston Read more https://theconversation.com/best-books-of-2023-our-experts-share-the-books-that-have-stayed-with-them-214578
Best books of 2023: our experts share the books that have stayed with them
Jen Webb has received funding from the Australian Research Council. Anna Clark has received funding from the Australian Research Council. Edwina Preston has received funding from Australia Council for the Arts and Creative Victoria. She is currently employed by the Australian Education Union Heidi Norman is affiliated with the University of Technology Sydney where Graham Akhurst is also a colleague. Julienne van Loon receives funding from Creative Victoria.
The Story of World War II Through the Intersecting Lives of 4 Women Philosophers
Books History Women 8 minutes ago The “actual impulse of astonishment” that sparks all philosophising is “honest bafflement that other people live as they do,” writes Wolfram Eilenberger in his new book, The Visionaries. It’s a wild ride through ten of the worst years in the 20th century, spanning the period from 1933, the year Hitler was appointed Chancellor of Germany, to 1943 and the thick of the second world war.
Simone de Beauvoir, Hannah Arendt, Simone Weil and Ayn Rand all felt 'different' in the world - and changed the way we think
By Jen Webb, Dean, Graduate Research, University of Canberra A new book follows four women philosophers through ten of the worst years in the 20th century, spanning 1933, the year Hitler was appointed Chancellor of Germany, to the thick of the second world war. Read complete article © The Conversation -
Simone de Beauvoir, Hannah Arendt, Simone Weil and Ayn Rand all felt 'different' in the world – and changed the way we think Original
The “actual impulse of astonishment” that sparks all philosophising is “honest bafflement that other people live as they do,” writes Wolfram Eilenberger in his new book, The Visionaries. It’s a wild ride through ten of the worst years in the 20th century, spanning the period from 1933, the year Hitler was appointed Chancellor of Germany, to 1943 and the thick of the second world war.
Milan Kundera’s work explored oppression, inhumanity - and the absurdity of being human
Someone visiting the property pressed on me a copy of The Book of Laughter and Forgetting, and I was immediately and utterly captivated. This, Kundera’s third novel, affirmed my own anxiety of the absence of a stable truth, and of my incapacity to resist the longing to belong, even to the most damaged society. In one section of the novel, a group of the Communist faithful, dancing together in a circle, rise into the air and soar over the city.
En el que quizá sea su libro más conocido, ‘La insoportable levedad del ser’ (1984) continúa su interrogatorio sobre la política totalitaria, explorando la Primavera de Praga y la brutalidad del control soviético de Checoslovaquia. | El Nuevo Herald
Tras su primera novela, La broma, escrita en 1967, y La vida está en otra parte, escrita en 1969 y publicada en 1973, ambas rebosantes de sátira política, fue expulsado del Partido Comunista y posteriormente huyó al exilio.
Milan Kundera y su obra, una exploración de la opresión y lo absurdo del ser humano
Milan Kundera, notable novelista, ensayista, poeta, filósofo y crítico político, ha muerto a los 94 años. Parece que sucede demasiado pronto, quizá porque en todo lo que escribió abrió nuevas formas de pensar, escribir y leer. Con su presencia, el mundo parecía sintonizar una frecuencia superior. Kundera nació el 1 de abril de 1929. Desde el principio, estuvo expuesto e inmerso al absurdo de la cultura humana.
Milan Kundera: bagaimana karyanya mengeksplorasi absurditas menjadi manusia
Milan Kundera, novelis, esais, penyair, filsuf, dan kritikus politik yang luar biasa, telah meninggal dunia pada usia 94 tahun. Rasanya terlalu cepat, mungkin karena dalam semua yang ditulisnya, ia membuka cara-cara baru dalam berpikir, menulis dan membaca. Dalam kehadiran sastranya, dunia seakan disetel ke frekuensi yang lebih tinggi. Kundera lahir di waktu yang tepat, pada 1 April (1929): Hari April Mop. Sejak awal, ia terpapar dan tenggelam dalam absurditas budaya manusia.
La extraordinaria obra de Milan Kundera explora la opresión y lo absurdo de ser humano
Milan Kundera, notable novelista, ensayista, poeta, filósofo y crítico político, ha muerto a los 94 años. Parece que sucede demasiado pronto, quizá porque en todo lo que escribió abrió nuevas formas de pensar, escribir y leer. Con su presencia, el mundo parecía sintonizar una frecuencia superior. Kundera nació el 1 de abril de 1929. Desde el principio, estuvo expuesto e inmerso al absurdo de la cultura humana.
Milan Kundera's 'remarkable' work explored oppression, inhumanity - and the absurdity of being human
© 2023 Tolerance.ca ® Inc. All reproduction rights reserved. All information reproduced on the Web pages of www.tolerance.ca (including articles, images, photographs, and logos) is protected by intellectual property rights owned by Tolerance.ca ® Inc. or, in certain cases, by its author. Any reproduction of the information for use other than personal use is prohibited.
Milan Kundera's 'remarkable' work explored oppression, inhumanity – and the absurdity of being human Original
Milan Kundera, that remarkable novelist, essayist, poet, philosopher and political critic, has died at the age of 94. It feels too soon, perhaps because in everything he wrote, he opened up new ways of thinking, writing and reading. In his literary presence, the world seemed tuned to a higher frequency. Kundera was born with immaculate timing, on April 1 (1929): April Fool’s Day. From the start, he was exposed to, and immersed in, the absurdity of human culture.
Milan Kundera's 'remarkable' work explored oppression, inhumanity - and the absurdity of being human
Milan Kundera, that remarkable novelist, essayist, poet, philosopher and political critic, has died at the age of 94. It feels too soon, perhaps because in everything he wrote, he opened up new ways of thinking, writing and reading. In his literary presence, the world seemed tuned to a higher frequency. Kundera was born with immaculate timing, on April 1 (1929): April Fool’s Day. From the start, he was exposed to, and immersed in, the absurdity of human culture.
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